hemos llegado a una conclusión: nuestra capacidad creativa estalla justo antes de los exámenes.

primera observación: el rap no se nos da nada mal.
segunda observación: hemos vuelto a encerrarnos en la luna a tocar la guitarra, hemos descubierto la púa y la cejilla. Y nos hemos enamorado de como suena ahora.

tercera observación: aunque el plan de Camboya se haya venido abajo, otros muchos planes se han asomado (Ibiza + mochileras por Cuba + días de playa en benicassim + festival + traslado a Canadá)

cuarta observación: dentro de dos días llega la primera, los días de playa, los días al sol y las pieles morenas.

quinta observación: los juramentos no se rompen.

time. time. time. et un café

          
Time, as we know it, is a very recent invention. The modern time-sense is hardly older than the United States. It is a by-product of industrialism…

Time is our tyrant. We are chronically aware of the moving minute hand, even of the moving second hand. We have to be. There are trains to be caught, clocks to be punched, tasks to be done in specified periods, records to be broken by fractions of a second, machines that set the pace and have to be kept up with. Our consciousness of the smallest units of time is now acute. To us, for example, the moment 8.17 a.m. means something - something very important, if it happens to be the starting time of our daily train. To our ancestors, such an odd eccentric instant was without significance - did not even exist. In inventing the locomotive, Watt and Stephenson were part inventors of time.

‘Time and the Machine’ (The Olive tree, 1936)

Aldous Huxley (1894-1963)